Backyard Visionaries
Grassroots Art in the Midwest
Edited by Barbara Brackman and Cathy Dwigans
Foreword by Elizabeth Broun
224 pages, 40 full color photographs, 125 black-and white
photographs, 7-3/4 x 11
Cloth ISBN 978-0-7006-0904-8, $39.95
On the front page of the New
York Times Book Review, artist Red Grooms once exclaimed
that grassroots artists "are so interesting I can scarcely
keep them out of my dreams--visionaries who turned their visions
into art on a grand scale even though they had no training in
art." In this lavishly illustrated volume, the authors illuminate
and celebrate these "backyard visionaries" and the
remarkable works they've created in the Midwest.
Grassroots art (sometimes referred to as "outsider art")
has been variously described as "eccentric," "unschooled,"
"self-taught," "primitive," and "raw."
Such art is characterized by the use of common, unconventional,
or castoff materials; hodge-podge styles; ambitious scale; whimsical
expression; and a creative impulse concerned more with the artist's
own pleasure than with the critical reception of the work itself.
The authors here focus on examples of grassroots art environments--which
include sculptures, paintings, and assemblages--in Kansas, Nebraska,
Iowa, Missouri, and Oklahoma. They reveal the special character
and unexpected delights of works like Samuel P. Dinsmoor's world-famous
"Garden of Eden"; Claude Melton's quirky "Nativity
Rock Museum"; Ed Galloway's fabulous six-story "Totem
Pole" honoring Native Americans; and Dave Woods's idosyncratic
creations refashioned from "junk that most people would
haul to the dump."
Written by members of the Kansas Grassroots Art Association--the
oldest organization in the country dedicated to preserving such
sites--Backyard Visionaries describes the authors' personal
experiences of the artists and their work as well as the artists'
cultural contexts and influences. More than 150 photographs--many
in color--capture their unusual creations, and a chapter on preservation
tells how we can help maintain them. All in all, this is a fascinating
tribute to a group of artists that we are only just beginning
to understand and appreciate.
"A joy to read from start to finish. Backyard Visionaries
introduces us to the unsung 'makers'--for they rarely considered
themselves artists--who have built exceptional environments throughout
the Midwest. At first we may regard them as fascinating curiosities,
or what one author calls the 'noble savages of the art world,'
working with unrestricted freedom outside the boundaries of artistic
and social convention. But the authors reach for a deeper understanding
and open our minds to the endlessly intriguing questions these
'makers' inspire."--Elizabeth Broun, Director, National
Museum of American Art, Smithsonian Institution
BARBARA BRACKMAN, a freelance writer who specializes
in folk arts, is the author of Clues in the Calico: A Guide
to Identifying and Dating Antique Quilts and coeditor of
Kansas Quilts and Quilters.
CATHY DWIGANS is responsible for program development
for the Self Graduate Fellowship of the University of Kansas
and formerly was a senior program manager in the continuing education
division. Both are founding members of the Kansas Grassroots
Art Association.
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