A Dancing People
Powwow Culture on the Southern Plains
Clyde Ellis
New in Paperback: September 2006
viii, 232 pages, 35 photographs, 6-1/8 x 9-1/4
ISBN 978-0-7006-1494-3, $16.95
Also available in Cloth:
ISBN 978-0-7006-1274-1, $29.95
Everywhere
they are dancing. From Oklahoma Citys huge Red Earth celebration
to fund-raising events at local high schools, powwows are a vital
element of contemporary Indian life on the Southern Plains. Some
see it as tradition, handed down through the generations. Others
say its been sullied by white participation and robbed of
its spiritual significance. But, during the past half century, the
powwow has become one of the most popular and visible expressions
of the dynamic cultural forces at work in Indian country today.
Clyde Ellis has written the first comprehensive history of Southern
Plains powwow culturean interdisciplinary, highly collaborative
ethnography based on more than two decades of participation in powwows.
In seeking to determine what powwow people mean by so
designating themselves, he addresses how the powwow and its role
in contemporary Indian identity have changed over timealong
with its songs and dancesand how Indians for nearly a century
have used dance to define themselves within their communities.
A Dancing People shows that, whether understood as an intertribal
or tribally specific event, dancing often satisfies needs and obligations
that are not met in other waysand that many Southern Plains
Indians organize their lives around dancing and the continuity of
culture that it represents. As one Kiowa elder explained, When I go to
[these dances], Im right where those old people were. Singing
those songs, dancing where they danced. And my children and grandchildren,
theyve learned these ways, too, because its good, its
powerful.
Ellis tells us not only why and how Southern Plains powwow culture
originated, but also something about what it means. He explores
powwows cultural and historical roots, tracing suppression
by government advocates of assimilation, Indian resistance movements,
internal tribal disputes, and the emergence of powerful song and
dance traditions. He also includes a series of conversations and
interviews with powwow people in which they comment on why they
go to dances and what the dances mean to them as Indian people.
An insightful study of performance, ritual, and culture, A Dancing
People also makes an important statement about the search for
identity among Native Americans today.
“A significant study that emphasizes the vitality and joy powwows have brought to the Indian peoples of the southern Plains [and] an effective counterpoint to the assertions of those who still believe that Indians are about to be fully assimilated into mainstream American culture. . . . Ellis merits praise for his willingness to confront issues of definition, control, power, and knowledge. He does not try to hide disagreements about past problems and contemporary issues.”—Journal of American History
“A rich and informative book. . . . For anyone who is interested in learning more about the forces that shaped, and continue to shape, contemporary powwow culture, this study is indispensable.”—Montana The Magazine of Western History
“Ellis should be commended for his extensive archival work, encyclopedic knowledge of source materials, and deft inclusion of Native accounts. . . . Nothing currently available on Southern Plains powwow traditions is in its league.”—Journal of American Ethnic History
“An excellent book. . . . Written in an engaging style, it will be not only informative for scholars but fascinating for anyone interested in Native American culture and history.”—H-Net Reviews
A valuable and well-documented ethnohistory of reservation
era and post-allotment dance traditions and gatherings on the
Southern Plains.--Morris W. Foster, author of Being
Comanche: A Social History of an American Indian Community
Ellis has a gift for telling a good story well and a complex
story with great subtlety. But he also listens, filling his work
with the voices of Indians explaining the nature of the powwow
and the meanings of being Indian, past and present.--David
Rich Lewis, author of Neither Wolf Nor Dog: American Indians,
Environment, and Agrarian Change
A landmark synthesis and defining moment in the modern
era of Plains Indian studies.--Daniel J. Gelo, translator
and editor of Comanche Vocabulary: Trilingual Edition
CLYDE ELLIS is associate professor of history at Elon University. He is coauthor of The Jesus Road: Kiowas, Christianity, and Indian Hymns and author of To Change Them Forever: Indian Education at the Rainy Mountain Boarding School, 1893–1920.
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