Poets, Poetics, and Politics
America's Literary Community Viewed from the Letters of Rolfe
Humphries, 19101969
Edited by Richard Gillman and Michael Paul Novak
With a Biographical Essay by Ruth Limmer
320 pages, 20 photographs, 6 x 9
Paper ISBN 978-0-7006-0589-7, $14.95
Rolfe Humphries (18941969),
in addition to being an outstanding poet, left an impressive
trail as a translator, teacher, critic, and editor. But, as Richard
Gillman maintains in his introduction, poetry was the driving
force behind these other special skills and interests. Humphries
was, Gillman writes, an example of "the total poet. . .
. If ever there were poets who did in fact breathe their art,
he was one of them."
These letters for the first time illumine Humphries and his
achievements. We see him as the mentor to younger poets, including
Theodore Roethke, providing rare glimpses of poetics and the
creative process; the teacher so charmed by horseracing he sometimes
"put an exam on the blackboard . . . and then bugged out
for the track"; the "literary terrorist" whose
criticism Robert Frost never forgot and probably never forgave
him for; the translator whose Aeneid prompted W.H. Auden
to call it "a service for which no public reward could be
too great"; the author of an introduction to Ezra Pound's
poems who defied Pound's demand that a reference to his anti-Semitism
be deleted. And so on and on, in all of Humphries' surprising
variety and unfailing candor.
Active in America's literary community, Humphries was a friend
of many poets and writers, including Louise Bogan, Edmund Wilson,
and Roethke. This volume takes on added meaning by completing
the published account of the relationships of these four as already
told by Roethke, Bogan, and, to a lesser extent, Wilson.
Poets, Poetics, and Politics is set in a period that
opened just two years before the birth of Harriet Monroe's Poetry;
when it closed, most of the twentieth century's literary giants
had died. Also in this time, many writers, Humphries included,
dreamed the dreams of communism; his letters on this subject
are both informative and absorbing.
"Rolfe Humphries was an American original who deserves
to be better known. He was a vital presence in the life of American
poetry from the early 1920s until his death, and an active player
in the literary and political battles of the 30s. . . . [These
letters reveal] a man whose warmth, kindness, robust irreverence,
deep love of his art, and courage in living give us the impression
of a human wholeness so often lacking in his better-known peers."--New
York Times Book Review
"Captivating. . . . Humphries' letters open a window
onto the literary world of Theodore Roethke, Louise Bogan, Edmund
Wilson, and other important American writers."--Jay Parini,
author of The Last Station and Theodore Roethke: An
American Romantic
"Candid, argumentative. These high-energy letters illuminate
Humphries' influence on Roethke."--Publishers Weekly
"A wonderfully appropriate memorial. . . . The letters
abound in peppery opinions and fair-minded yet uncompromising
critical appraisals of fellow poets and writers, and reflect
Humphries' humorous outlook on life and the catholicity of his
interests--Catullus, Ovid, baseball, the racetrack."--The
New Yorker
"The letters are often pungent and flavorful."--George
H. Douglas, author of six books and editor of seven, including
Edmund Wilson's America
RICHARD GILLMAN is the author of Too Much Alone
and Lunch at Carcassonne.
MICHAEL PAUL NOVAK is the author of The Leavenworth
Poems, Sailing by the Whirlpool, and A Story to Tell.
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