The American Statehouse
Interpreting Democracy's Temples
Charles T. Goodsell
December 2000
232 pages, 119 photographs, 7 x 10
Studies in Government and Public Policy
Cloth ISBN 978-0-7006-1044-0, $35.00
The American Statehouse
examines the interplay of architecture and politics in all fifty
state capitols. Using both careful analysis and photographs of
exteriors and interiors, Goodsell demonstrates how the architectural
elements embody political values and ideas; influence how politicians,
lobbyists, and the news media behave; and both awe and unite
the citizenry. He concludes that a statehouse's design is an
intentional expression of how to practice politics democratically.
The American state capitol is a "statehouse" in
that it was historically conceived as the center and home of
all of state government. As a building type, it emerged in the
early nineteenth century and flowered in the early twentieth.
One of the very few purely American architectural forms, the
statehouse not only encloses but also symbolizes American democracy
at the state level.
That all three branches of government, not to mention the
state bureaucracy initially, were housed under one roof meant
that the doctrine of the separation of powers had to be "worked
out" in close quarters, often in revealing ways. What also
evolved in the statehouse was a distinct style of politics that
mixed colorful leadership, varied partisanship, bicameral opposition,
deliberative debate, insider lobbying, uninhibited reporting,
bureaucratic growth, and populist activism. All of these elements
both affected and were acted upon by the built form--the statehouse--of
state government.
At the nexus of architectural studies and political science,
this book is about the interaction of architecture and politics
in America's state capitols. Goodsell offers what he calls a
social interpretation of architecture. Toward this end, he utilizes
three conceptual frameworks: one devoted to seeking political
values or ideas embedded within the buildings, a second concerned
with the effects of the buildings on contemporary political behavior,
and a third seeking to appraise larger impressions the buildings
make on society. Goodsell concludes that the statehouse enshrines
both majestic state authority on the one hand and liberal representative
government on the other. The American statehouse, then, is not
just a temple but a temple of democracy.
"This landmark book is a pioneering contribution towards
understanding the interaction between politics and space in the
statehouse."--James M. Mayo, author of The American
Country Club: Its Origins and Evolution
"Charles Goodsell remains one of the most trustworthy
guides to the complex relationship between architecture and politics.
His new book is not only a fine study of a particular building
type; it is a study that--through the questions it asks--invites
introspection about the meaning of other building types, as well."--Lawrence
J. Vale, author of Architecture, Power, and National Identity
"Full of fascinating insights and also highly readable."--Amos
Rapoport, author of The Meaning of the Built Environment
CHARLES T. GOODSELL, professor at Virginia Tech's Center
for Public Administration and Policy, is the author of The
Social Meaning of Civil Space: Studying Political Authority through
Architecture; The Case for Bureaucracy: A Public Administration
Polemic; The Administration of Revolution; American Corporations
and Peruvian Politics; and The Public Encounter: Where
State and Citizen Meet.
|