Dancing on Common Ground
Tribal Cultures and Alliances on the Southern Plains
Howard Meredith
288 pages, 90 photographs, 7 maps, 6 x 9
Cloth ISBN 978-0-7006-0694-8, $29.95
Dance, a vital expression of community
and spirituality for Native Americans, has been the traditional
metaphor for resolving conflict among Southern Plains tribes.
War, on the other hand, has been the metaphor for Anglo-Americans.
Attacking conflicts in terms of dichotomies--us vs. them, friend
vs. foe, civilized vs. savage--the European-influenced U.S. government
has created battles out of almost every military, political,
and social situation, from the Revolutionary War to the War on
Drugs.
Here lies a fundamental cultural difference, says Howard Meredith,
that has led to mistrust, poor communication, frustration, and
polarization. The Anglo-American assumption that analysis and
argument are universal and permanent traits, he contends, is
not only erroneous, but has proven detrimental, even devastating,
for Native Americans who have not customarily shared those values.
Historically, the U.S. government has tried to disintegrate
tribes, alienate, assimilate, divide and conquer. And in the
process, it has ignored the positive relationships the tribes
had established among themselves and with their physical environment.
Although conflicts have arisen among tribes, Meredith asserts,
the Southern Plains peoples have spent the vast majority of their
time in mutual support of one another rather than at war. The
Wichita, Caddo, Comanche, Cheyenne, Kiowa, Apache, Arapaho, Delaware,
and others brought together by choice or adversity achieved harmonious
coexistence through imagination, mythology, art, dance, commerce,
and conservation.
In Dancing on Common Ground, Meredith uses tribal oral
histories to describe alliances before the European infiltration
and extensive archives, federal documents, and personal interviews
to examine the evolution and attempted annihilation of native
traditions through the past three centuries. Looking toward the
future by assessing the past, he argues that the Southern Plains
Indians need to re-establish self-determination, traditional
practices and values, and their native languages to overcome
the adverse effects of federal paternalism, strengthen tribal
relations, and improve economic and social conditions for all
people in the Southern Plains.
"This unique book combines linguistics, history, archaeology,
and anthropology into a whole overview of the development of
tribal alliances and self-governance through time. No other scholar
addresses so successfully and so well the imagery of political
and historical issues through dance."--C. Blue Clark,
author of Lone Wolf v. Hitchcock: Federal-Indian Relations
at the Turn of the Century
"This book opens up new relationships in Indian studies,
suggesting new interpretations of Indian-White relations, past,
present, and future."--Charlotte Heth, editor of
Native American Dance: Ceremonies and Social Traditions
HOWARD MEREDITH is associate professor of American
Indian Studies at the University of Science and Arts of Oklahoma
in Chickasha. He is author or coauthor of seven books, including
Modern American Indian Tribal Government and Politics
and Hasinai: A Traditional History of the Caddo Confederacy.
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