Reel History In Defense of Hollywood Robert Brent Toplin October 2002 256 pages, 30 photographs, 6 x 9-1/4 CultureAmerica Cloth ISBN 978-0-7006-1199-7, $35.00 Paper ISBN 978-0-7006-1200-0, $17.95 History has been fodder for cinema from the silent era to the blockbuster present, a fact that has seldom pleased historians themselves. As pundits increasingly ponder “how Hollywood fails history,” Robert Toplin counters with a provocative alternative approach to this enduring debate over the portrayal of history in film. Toplin focuses on movies released over the past sixteen years—during which twelve historical films won the Oscar for Best Picture—and argues that critics often fail to recognize the unique ways that fictional films communicate important ideas about the past. His work establishes commonsense ground rules for improving critical analysis in this area. Citing films like Gladiator and Braveheart, Gandhi and Nixon, he underscores the pressures placed on filmmakers to simplify and alter historical fact to conform to the demands of an extra-ordinarily expensive mass medium. Toplin demonstrates how a historical epic like Glory may contain “creative adjustments” that worry historians but shows how its distortions communicate broader and deeper truths about the Civil War experiences of African Americans—just as Saving Private Ryan presented little factual detail about World War II and yet effectively conveyed the experience of combat. He also shows how other films—such as Mississippi Burning, Amistad, and The Hurricane—contain so many elements of fictional excess and oversimplification that they deserve the criticism they receive. Toplin draws upon his own experiences in film production and takes direct aim at recent writing about film dominated by jargonistic theory and empty rhetoric. He urges film studies scholars to move beyond their preoccupation with formal aesthetics and recognize that, in historical films, content does matter. In engaging prose that will appeal to any moviegoer, Reel History helps build bridges between defenders and detractors of history-by-Hollywood and enlarges our understanding of film as a communicator of truths about the human condition. "Without question most Americans today learn—or mislearn—history by watching movies. Toplin brilliantly grapples with the advantages and dilemmas brought about by this stark fact in a well-written, sober-minded analysis of the enduring power of cinematic history."—Douglas Brinkley, author of American Heritage History of the United States “Toplin’s good common sense promotes a salutary (and long overdue) demystification of Hollywood-made history.”—Mark C. Carnes, editor of Past Imperfect: History According to the Movies “A new and major contribution to the study of film and history.”—Peter C. Rollins, editor-in-chief of Film & History “An excellent, well-written, clearly argued, and important book.”—Jeanine Basinger, author of American Cinema: One Hundred Years of Filmmaking ROBERT BRENT TOPLIN is professor of history at the University of North Carolina at Wilmington and film review editor for the Journal of American History. Among his ten books are Oliver Stone’s USA: Film, History, and Controversy, History by Hollywood: The Use and Abuse of the American Past, and Ken Burns’s The Civil War: Historians Respond.   Home | About the Press | Recent Awards | Contact Us | Order New Books: | By Author | By Subject | By Title | By Series Books in Print: | By Author | By Subject | By Title | By Series ©2007 University Press of Kansas 2502 Westbrooke Circle, Lawrence, KS 66045-4444 Phone (785) 864-4155; Fax (785) 864-4586